Notice in his trick he never shows more than 4 cards at a time. Description: Comment emails: notify when someone comments. Playlist Title: Access Level: Private - visible only to me Public - visible to everyone. What ever he did with all the talk and his hands, he got the kings to the top of the deck. Your email has been sent successfully Manage this Video in Your Playlists.
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But like I said, it is all in the shuffle. Bill Malone is next with his signature version of Sam the Bellhop, who also shares every single false cut, false shuffle and flourish used in the routine - the elements that make his routine such a modern-day classic - all in minute detail. Basically he stacked the entire deck to match his story. Play with this a few times and you will see that you can add more cards and invent a story. All the aces, kings, queens, etc should be together. Then start at the left again deal five cards then again and then a fourth time. Now deal out a row of five (5) cards left to right. For many, many years now, magicians have been weaving stories using a deck of playing cards to illustrate their narratives in funny and surprising ways.
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You can even ask someone to cut the deck and stack the cut bottom on the top. You can shuffle these but you must overlay the shuffle. Next, lay the kings on the aces, then the queens on the kings, then the jacks on the queens and finally the tens. Starting with aces lay them side by side, 4 across. Take the aces, kings, queens, jacks and tens out of the deck. He also has to mark the cards so he knows when the kings are on top. And, what's more, audiences seem to love them.I am going to teach you the basic card trick, but I have no idea how he does it with all the handling he does. If you (or your audiences) are tired of the standard "pick a card - any card." approach, adding one of these classic story deck tricks to your repertoire will add a great deal of texture to your performances. Finally, Eugene Burger charms his way through the classic Diamond Jack routine, suitable for close-up or platform, and then shares some great tips on memorizing and performing a story deck routine that can be implemented no matter which version you choose to learn. The tale of Sam the Bellhop is then revisited in very hilarious fashion by Doc Eason, who keeps the audience on edge by making them think the routine has gone spectacularly wrong but naturally brings it to a smashing conclusion. I perform a version similar to Bill Malone but I am looking for a better ending. Sam the Bellhop is currently my favorite card effect. Bill Malone is next with his signature version of Sam the Bellhop, who also shares every single false cut, false shuffle and flourish used in the routine - the elements that make his routine such a modern-day classic - all in minute detail. The Magic Cafe Forum Index » » The workers » » Sam the Bellhop (0 Likes) Go to page 1 2.
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Michael Ammar then performs and explains Eric Mead's great story deck routine, notable for the impression that it leaves on the audience that the story the cards tell is being improvised on the spot by the performer.
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Up first is David Regal who weaves a tale about a visit to a night spot of questionable repute. In this collection, you'll meet five performers each with their own individual take on this longstanding card magic tradition. While not necessarily magic, these demonstrations, when performed by an engaging and interesting performer, can be very magical. For many, many years now, magicians have been weaving stories using a deck of playing cards to illustrate their narratives in funny and surprising ways. This was a stunt in which the magician tells a story while turning over cards from the deck, the cards matching the words in the narrative.